For those of you who follow electronic dance music, here are my favorites from the September 2007 Richmond Record Pool shipment:
Warmup Tracks:
- Alexander Miguel, “I Ol Be Back” (Original)
- Alexander Miguel, “Speed” (Original)
- Diogenes Club, “Jaunt” (Harry Peat Remix)
- DJ Bia, “Dennumarstant” (Original)
- Frangellico, “Hammelin Tales” (Original)
- Frangellico, “Sherwood Forest” (Original)
- Hyperia, “Blue” (Original)
- James Sadoway, “Never Suspect” (Stellar Mansion Remix)
- Jondi & Spesh, “I Drank It” (Real Sugar Mix)
- Openair, “Anticlimax” (Jay Cox Remix)
- Openair, “Anticlimax” (Mark Leroy)
- Paul Kwitek, “Black Ocean” (Paul Kwitek & Jonatan Tesei Remix)
- Tyler Michaud & Define Crazy, “Rock Is Dead” (Tyler Michaud Remix)
Studio Mixes:
- Adam Byrd, “Time Machine” (Original Mix)
- Elfsong, “Twisted Souls” (Downkill Remix)
- Francis Blaid, “Tweak” (RCFC Remix)
- George From The Jungle, “Rodeo Winner” (Original)
- Pavel Pryde, “22” (DC Project Remix)
- Openair, “Anticlimax” (Luke Porter)
- Paul Kwitek, “Black Ocean” (Retroid Remix)
- Python, “Cult” (Original)
- Voltek, “Babylon” (Original Mix)
Live Sets:
- Adam Byrd, “Time Machine” (Machine Mix)
- HiJackers Space, “Take My Hand” (Original)
- Pavel Pryde, “22” (Original Mix)
- Interstate, “I’m Waiting” (Tyler Michaud Remix)
- Jay Kaufman, “Bright Light Keep On Fading” (MattLok’s Darkbeat Mix)
- MattLok, “Rock The Box” (Original Mix)
- Openair, “Anticlimax” (Original)
- Victor Gonzales, “Better Step Up” (Bitwise Remix)
The Tragically Hip
on Friday, September 14, 2007
I saw the Tragically Hip playing in Halifax last night at the Metro Centre. It was packed, not surprisingly. And since my blog is read by a lot of music fans who live outside of Canada, I need to do a bit of promotion here. If you’re Canadian, you can pretty much stop reading now, because you’ll already know a lot about this band. But if you want to learn more, carry on.
First, you need to know that “The Hip” are Canada’s greatest rock band. The drummer, Johnny Fay, was once interviewed by Billboard, and when the subject of being in Canada’s best band came up, he said it was, “kind of like being the world’s tallest midget.” In 1989, the band apparently did a show where they opened for Nirvana, and less than a hundred people showed up.
The group has ten studio albums to their credit at the moment (disregarding their first self-titled album, which was only an EP). If I had to pick my favorites, I would recommend their first five albums, starting with “Up To Here,” and with “Fully Completely” probably being my top choice. Unfortunately, I haven’t spent a lot of time listening to any of the albums that came after “Trouble At The Henhouse.” I need to go out and buy the others though, because I know a few of the songs on them, and I know that I'm missing out on other gems.
I’ve seen the Hip perform dozens of times. The first times were in Banff in 1990. I had a few weeks off from my summer job planting trees, so I decided to hitchhike to Banff to wash dishes in a restaurant (The Magie & Stump) to pass the time for a week. During that week, I went with a couple friends to the Silver City nightclub every single evening. There was a band playing, and I thought that they were pretty good. Nobody else seemed to agree, because except for Friday and Saturday night, there were only about ten people in the bar each night. Anyway, after seeing them the first night, I was hooked. I kept coming back, and I watched them from about ten feet away, five or six nights that week. It wasn’t until about four or five years later, when they were starting to get famous and I saw them play at Mount Allison University, that I recognized them and realized that it was the same band. Since then, I’ve seen them in quite a few full concerts, and I also saw them in a small venue in Edmonton when they did their album release for “In Between Evolution,” with just a couple hundred people invited. I have photos from that night online here:
http://www.djbolivia.ca/photos_hip.html
An interesting thing about the Hip is that if I had to pick my favorite five songs, I couldn’t. Not a chance. I might be able to get away with my favorite thirty, but even that would be hard to narrow down. Their music and sound are solid, and even though I’m not usually one to pay a lot of attention to lyrics, Gord Downie is brilliant. The funny thing is that I don’t even know if he writes all the lyrics. I’ve always assumed so, because he is their lead singer, but that’s not necessarily true. His improvisational abilities in live shows though, are legendary.
“New Orleans Is Sinking” was one of their earliest songs, written a decade and a half ago, and it’s one of their best-known songs. However, after Katrina, many radio stations stopped playing it in deference to the residents of New Orleans. The Hip are actually playing a show in New Orleans on October 20th of this year.
Anyway, so if you like rock music, and haven’t listened to this band before, take a Canadian’s advice and check them out. If this is the first you’ve heard about them, you’re missing out on one of Canada’s best-kept secrets.
First, you need to know that “The Hip” are Canada’s greatest rock band. The drummer, Johnny Fay, was once interviewed by Billboard, and when the subject of being in Canada’s best band came up, he said it was, “kind of like being the world’s tallest midget.” In 1989, the band apparently did a show where they opened for Nirvana, and less than a hundred people showed up.
The group has ten studio albums to their credit at the moment (disregarding their first self-titled album, which was only an EP). If I had to pick my favorites, I would recommend their first five albums, starting with “Up To Here,” and with “Fully Completely” probably being my top choice. Unfortunately, I haven’t spent a lot of time listening to any of the albums that came after “Trouble At The Henhouse.” I need to go out and buy the others though, because I know a few of the songs on them, and I know that I'm missing out on other gems.
I’ve seen the Hip perform dozens of times. The first times were in Banff in 1990. I had a few weeks off from my summer job planting trees, so I decided to hitchhike to Banff to wash dishes in a restaurant (The Magie & Stump) to pass the time for a week. During that week, I went with a couple friends to the Silver City nightclub every single evening. There was a band playing, and I thought that they were pretty good. Nobody else seemed to agree, because except for Friday and Saturday night, there were only about ten people in the bar each night. Anyway, after seeing them the first night, I was hooked. I kept coming back, and I watched them from about ten feet away, five or six nights that week. It wasn’t until about four or five years later, when they were starting to get famous and I saw them play at Mount Allison University, that I recognized them and realized that it was the same band. Since then, I’ve seen them in quite a few full concerts, and I also saw them in a small venue in Edmonton when they did their album release for “In Between Evolution,” with just a couple hundred people invited. I have photos from that night online here:
http://www.djbolivia.ca/photos_hip.html
An interesting thing about the Hip is that if I had to pick my favorite five songs, I couldn’t. Not a chance. I might be able to get away with my favorite thirty, but even that would be hard to narrow down. Their music and sound are solid, and even though I’m not usually one to pay a lot of attention to lyrics, Gord Downie is brilliant. The funny thing is that I don’t even know if he writes all the lyrics. I’ve always assumed so, because he is their lead singer, but that’s not necessarily true. His improvisational abilities in live shows though, are legendary.
“New Orleans Is Sinking” was one of their earliest songs, written a decade and a half ago, and it’s one of their best-known songs. However, after Katrina, many radio stations stopped playing it in deference to the residents of New Orleans. The Hip are actually playing a show in New Orleans on October 20th of this year.
Anyway, so if you like rock music, and haven’t listened to this band before, take a Canadian’s advice and check them out. If this is the first you’ve heard about them, you’re missing out on one of Canada’s best-kept secrets.
Danny Is My Friend
on Tuesday, September 4, 2007
I just got a new music demo mix put together for the website this weekend. This is the first one that I’ve had time to do in over half a year, so it’s long overdue. This one is also pretty unique. Every other studio mix that I’ve done in the past was recorded using a pair of turntables, with vinyl records, but this is the first mix that I’ve ever done using music on CD’s. For equipment, I used a Pioneer CDJ-200 and a CDJ-1000MK3 for CD players, a Pioneer DJM-600 mixer, and I recorded the audio into Adobe Audition 2.0, with mastering & compression done in Cubase Sx.
The title is kind of random. I went onto the Exploding Dog website to find a graphic to use for the front cover of the CD case, and the very first one that I looked at was called “Danny Is My Friend.” Usually I go through hundreds of files before I find one that I like, but this one had an interesting graphic, and since two of the tracks on the CD are by producers whose first names are Danny, I thought I’d use it. Thanks to Sam Brown for his artistic design – his website has a ton of funny drawings on it.
All music was sourced from the Richmond Records Pool, so it's a mix of tribal and progressive house music, not top-40. In the past, if I made a studio mix, you could count on hearing most of those same tracks if I played at a live show. However, I’m trying to get away from that trend, so my live shows will be a little more interesting for people who have already heard my mixes from the website. Accordingly, this mix is a bit more abstract and less danceable in some places, but great for listening to when you’re going for a drive, working out, cleaning up around the house, or anything like that. I’m going to try to focus on saving the more danceable tracks for sets that I play at clubs and parties. The track listings are below, with a little bit of info about each producer, where I could find it:
Track 01: Matt Cerf, "Clearwater."
Matt originally went to McGill for agricultural engineering, but decided to move into music production instead. Now based in Los Angelos, Matt has had tracks in play on Quebec’s Music Plus network, and has released productions on labels such as Baroque, Armada, Somatic Sense, DeepBlue, and Sirup. More info about Matt can be seen at www.myspace.com/mattcerf. I like this track because of the slow and quiet introduction, which builds pretty slowly with a sporadic breakbeat until a steady 4/4 beat finally comes in with just a couple minutes left in the song. A good track to use as an opener.
Track 02: Chiba Unit vs David Phillips, "Unforgettable Time." [Desert Dwellers Remix].
Chiba Unit is a collaboration between producers David Phillips (www.thedjlist.com/djs/david_phillips) of Germany and Marcel Best (www.thedjlist.com/djs/marcelbest) of Switzerland. This track is very unique due to the vocals and the strange timing syncopations.
Track 03: Alejandro Rado, "The Dream."
Alejandro is a DJ and producer from Argentina with a regular radio show on www.tribalmixes.org. You can check out his MySpace page at www.myspace.com/alerado. This track has some trance influences, and it reminds me of an older tracks from the late 1990's, which I think might have been called "Arms Of Orion" by the Tea Freaks.
Track 04: Christian Duran, "Madreselva" [Roman Lieske 2007 Remix].
Christian is a Spanish producer who has DJ residencies at a number of clubs in Madrid & Valencia. Madreselva was originally released in 2004, and enjoyed quite a bit of chart success at the time, but I enjoyed this 2007 remix by Roman Lieske. MySpace: www.myspace.com/christianduran. Another memorable track due to the vocals. Incidentally, there are a lot of Spanish vocals on this mix, although that was more by accident than design.
Track 05: Javith, Salazar, & Gil, "Kukenan" [Tribal Remix].
Venezuelan producer Eduardo Javith (www.eduardojavith.com) has worked on productions with well-known names such as Chus, Marcello Castelli, and Bob Sinclair. I really don’t know much at all about Salazar & Gil.
Track 06: Zur-Face, "Manhattan Grooves" [Original].
Zur-Face is a pair of guys living in Bogota, Columbia, with a residency at that city’s well-known Theatron club. They’ve worked alongside other producers such as Jose Acosta, Eduardo Perez, and DC Project, and recently had a track, “Cosmopolitan Drink,” appearing on Global Underground’s Paris mix by Nick Warren (GU30). MySpace: www.myspace.com/zurface. I really like the work that Zur-Face has done, both on their own tracks and on remixes of other people tracks. I’ll probably be using their remixes in my sets fairly often.
Track 07: Danny Tuval & Vic, "La Caress" [Zur-Face Enchantement Spagnol Mix].
Danny Tuval is one of Israel’s most well-known DJ’s, having residencies at clubs in Eilat & Tel Aviv, and has shared the decks with notable DJ’s such as Junior Vasquez, Paul Okenfold, Nick Waren, Satoshi Tomiie, and Tarrantella. More info here: www.dannytuval.com/index6.htm.
Track 08: Mentalman, "Sick" [Original].
I can’t find any information about this producer. I like the track though.
Track 09: Danny Teneglia, "Dibiza" [Chus & Ceballos Midnite X-Press Mix].
I don’t even know where to begin. Danny Teneglia is unquestionably the biggest name on this demo. Originally from New York, Danny has held residencies at some of the world best-known nightclubs, and has two Global Underground mixes to his name. If there was one DJ that I could ever see performing live, it would be this man. Go to his website and look at his personal discography, and you’ll be blown away by the work that he’s done over the past two decades. Website: http://www.dannytenaglia.com.
Track 10: Tarot feat Kasey Ryan, "Conscious."
Tarot (Taro Fujita) grew up in Tokyo, but studied audio engineering in New York, before he moved back to Japan. He has collaborated with Kasey Ryan on other works too, such as “Simple Things,” a track he produced with Bob Marbach. MySpace: www.myspace.com/tarotrecords. This is the only track on the mix with any significant amount of vocals in English.
Go here to see the web page where you can download the covers or the mix itself. This is an MP3 mix, 116 megabytes in size, 64 minutes of audio, encoded at 256 kbps. I hope you enjoy it ...
The title is kind of random. I went onto the Exploding Dog website to find a graphic to use for the front cover of the CD case, and the very first one that I looked at was called “Danny Is My Friend.” Usually I go through hundreds of files before I find one that I like, but this one had an interesting graphic, and since two of the tracks on the CD are by producers whose first names are Danny, I thought I’d use it. Thanks to Sam Brown for his artistic design – his website has a ton of funny drawings on it.
All music was sourced from the Richmond Records Pool, so it's a mix of tribal and progressive house music, not top-40. In the past, if I made a studio mix, you could count on hearing most of those same tracks if I played at a live show. However, I’m trying to get away from that trend, so my live shows will be a little more interesting for people who have already heard my mixes from the website. Accordingly, this mix is a bit more abstract and less danceable in some places, but great for listening to when you’re going for a drive, working out, cleaning up around the house, or anything like that. I’m going to try to focus on saving the more danceable tracks for sets that I play at clubs and parties. The track listings are below, with a little bit of info about each producer, where I could find it:
Track 01: Matt Cerf, "Clearwater."
Matt originally went to McGill for agricultural engineering, but decided to move into music production instead. Now based in Los Angelos, Matt has had tracks in play on Quebec’s Music Plus network, and has released productions on labels such as Baroque, Armada, Somatic Sense, DeepBlue, and Sirup. More info about Matt can be seen at www.myspace.com/mattcerf. I like this track because of the slow and quiet introduction, which builds pretty slowly with a sporadic breakbeat until a steady 4/4 beat finally comes in with just a couple minutes left in the song. A good track to use as an opener.
Track 02: Chiba Unit vs David Phillips, "Unforgettable Time." [Desert Dwellers Remix].
Chiba Unit is a collaboration between producers David Phillips (www.thedjlist.com/djs/david_phillips) of Germany and Marcel Best (www.thedjlist.com/djs/marcelbest) of Switzerland. This track is very unique due to the vocals and the strange timing syncopations.
Track 03: Alejandro Rado, "The Dream."
Alejandro is a DJ and producer from Argentina with a regular radio show on www.tribalmixes.org. You can check out his MySpace page at www.myspace.com/alerado. This track has some trance influences, and it reminds me of an older tracks from the late 1990's, which I think might have been called "Arms Of Orion" by the Tea Freaks.
Track 04: Christian Duran, "Madreselva" [Roman Lieske 2007 Remix].
Christian is a Spanish producer who has DJ residencies at a number of clubs in Madrid & Valencia. Madreselva was originally released in 2004, and enjoyed quite a bit of chart success at the time, but I enjoyed this 2007 remix by Roman Lieske. MySpace: www.myspace.com/christianduran. Another memorable track due to the vocals. Incidentally, there are a lot of Spanish vocals on this mix, although that was more by accident than design.
Track 05: Javith, Salazar, & Gil, "Kukenan" [Tribal Remix].
Venezuelan producer Eduardo Javith (www.eduardojavith.com) has worked on productions with well-known names such as Chus, Marcello Castelli, and Bob Sinclair. I really don’t know much at all about Salazar & Gil.
Track 06: Zur-Face, "Manhattan Grooves" [Original].
Zur-Face is a pair of guys living in Bogota, Columbia, with a residency at that city’s well-known Theatron club. They’ve worked alongside other producers such as Jose Acosta, Eduardo Perez, and DC Project, and recently had a track, “Cosmopolitan Drink,” appearing on Global Underground’s Paris mix by Nick Warren (GU30). MySpace: www.myspace.com/zurface. I really like the work that Zur-Face has done, both on their own tracks and on remixes of other people tracks. I’ll probably be using their remixes in my sets fairly often.
Track 07: Danny Tuval & Vic, "La Caress" [Zur-Face Enchantement Spagnol Mix].
Danny Tuval is one of Israel’s most well-known DJ’s, having residencies at clubs in Eilat & Tel Aviv, and has shared the decks with notable DJ’s such as Junior Vasquez, Paul Okenfold, Nick Waren, Satoshi Tomiie, and Tarrantella. More info here: www.dannytuval.com/index6.htm.
Track 08: Mentalman, "Sick" [Original].
I can’t find any information about this producer. I like the track though.
Track 09: Danny Teneglia, "Dibiza" [Chus & Ceballos Midnite X-Press Mix].
I don’t even know where to begin. Danny Teneglia is unquestionably the biggest name on this demo. Originally from New York, Danny has held residencies at some of the world best-known nightclubs, and has two Global Underground mixes to his name. If there was one DJ that I could ever see performing live, it would be this man. Go to his website and look at his personal discography, and you’ll be blown away by the work that he’s done over the past two decades. Website: http://www.dannytenaglia.com.
Track 10: Tarot feat Kasey Ryan, "Conscious."
Tarot (Taro Fujita) grew up in Tokyo, but studied audio engineering in New York, before he moved back to Japan. He has collaborated with Kasey Ryan on other works too, such as “Simple Things,” a track he produced with Bob Marbach. MySpace: www.myspace.com/tarotrecords. This is the only track on the mix with any significant amount of vocals in English.
Go here to see the web page where you can download the covers or the mix itself. This is an MP3 mix, 116 megabytes in size, 64 minutes of audio, encoded at 256 kbps. I hope you enjoy it ...
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