I went to a Benny Benassi show in Halifax last night, at Club Rain. This wasn't really a DJ-oriented trip; I took a bunch of the Pub staff with me and we went down to enjoy the show. Here are the photos:
http://www.djbolivia.ca/photos_benassi2007.html
I've been pretty slack with blog posts lately, since I've been so busy in the past four weeks. I'm leaving on Wednesday morning for a short tour, and I'll be visiting San Francisco, Osaka, Tokyo, Seattle, and Vancouver. I'll try to get as many photos as I can at each show, and hopefully I'll be able to take the mini-disc and record all of the sets for my website.
New York City
on Tuesday, January 30, 2007
I just got back from a weekend in New York City. I went down to visit a friend of mine, Polly, who works in Research at Mount Sinai. I had been asking her questions a few weeks ago about a club called Pacha, and she suggested that I come down and see it myself. We figured that the 27th/28th would be the best weekend for me to visit, and ironically, it turned out that Gabriel & Dresden were playing at Pacha on Friday night. Small world.
I got to the airport on Friday afternoon, and since Polly was at work until 5pm, I just hung out in the airport for a few hours, listening to music and doing some work. That's when the next coincidence happened - I ran into Gabriel & Dresden at Laguardia. I talked to them for a few minutes, then headed downtown shortly afterwards.
I met up with Polly and the first thing we did was to get some alcohol for the weekend. After that, we ordered sushi for dinner, then went out to a pizza place to meet up with one of her friends. Later that evening, we eventually we made our way to Pacha. Pacha was a decent sized club - it had four levels, and I would say that it probably held about 800 people, as a guess. I'm not sure, but I think that the cover charge for regular guests off the street was $30. Drinks were $9 for bar shots like rum, and $7 for beer, so it was quite a bit more expensive than most Canadian bars, but not out of line for a big club like that. The lineup at the coat check was huge, which I laughed at because I didn't bring a coat. Of course, being a bar manager myself, I spent quite a bit of time looking at the logistics and operations of the club. I was pretty surprised to see that they had (I think) six bartenders working at each of the two main bars. My place would have two bartenders, or sometimes three, for the same volume of alcohol that was being served at each bar. But at least those bartenders looked a lot more relaxed that we are when we're serving.
Needless to say, the lighting systems were incredible, and the sound was decent throughout the entire club, not just on the dance floor. Gabriel & Dresden played from about midnight to 5am (I think the bars stop serving alcohol at 4am, but then they can start again at 8am). I was talking to Josh for a bit up in the DJ booth during his set, and they looked like they were really having fun playing that night. Their set was quite a bit different than when they had played in Boston - to me, both nights sounded great, but this set sounded more tailored to a dance club crowd, with more vocal tracks and mainstream tracks, whereas at Rise it had seemed more like a set for an afterhours club crowd (not surprisingly).
On Saturday afternoon, Polly took me for a partial tour, including Ground Zero, the ferry to Staten Island, Wall Street, and around other parts of Manhatten. Later in the evening, we went to a place called Crocodile NYC. This bar was insane. It had a crowd about the same size as my bar on a Saturday night (250 people), but it was less than a third the size. It was absolutely impossible to move around, or to get drinks quickly. To make things even more interesting, they gave out a free pizza with every beer, so for $20, we eventually got four large glasses of beer (two Stella & two Guiness, I think) plus three 12-inch cheese pizzas. It was a minor fight for me to finish the two beer and two pizzas, but I managed eventually, and was hungry for more. The bar was ridiculously warm, probably partly due to the crowds and partly due to the 700-degree pizza ovens in the back of the bar. Anyway, it was a pretty neat place, and obviously a lot of other people thought the same thing, considering the crowds.
After Crocodile, we went to a venue called Shelter, which was more of an after-hours type of club than Pacha had been, although they did serve alcohol. Cover was $25, bar shots were $8, and beer was $6. There were a whole bunch of good DJ's and producers performing that night, including D:Fuse, D-Formation (I used a couple of his tracks on my last mix), and Tone Depth (from Montreal). There was also another DJ who I had never heard of before, Chloe Harris. I was quite impressed by her set, so it was good to learn about her. The lighting system upstairs at Shelter was pretty impressive too. I wish that I'd been able to get some decent photos, but it wasn't possible with my camera.
On Sunday, we went for Chinese food in the afternoon, then did some more touring after dinner. We met a couple of my old friends from university in front of Virgin Records in Times Square, and we went up to the Marriot Marquis for drinks with them. After that, Polly took me to a fantastic Mexican restaurant for dinner. I've eaten Mexican food in a lot of places (including Mexico), but this was definitely some of the best that I've had. Of course, I can't remember the name of the restaurant, but I'm not going to forget the food.
I have photos from the trip on this page:
http://www.djbolivia.ca/photos_newyork2007a.html
The only sad part about the weekend was that there was so much more to see that I didn't have time for, so I'll have to go back as soon as I get a chance ...
I got to the airport on Friday afternoon, and since Polly was at work until 5pm, I just hung out in the airport for a few hours, listening to music and doing some work. That's when the next coincidence happened - I ran into Gabriel & Dresden at Laguardia. I talked to them for a few minutes, then headed downtown shortly afterwards.
I met up with Polly and the first thing we did was to get some alcohol for the weekend. After that, we ordered sushi for dinner, then went out to a pizza place to meet up with one of her friends. Later that evening, we eventually we made our way to Pacha. Pacha was a decent sized club - it had four levels, and I would say that it probably held about 800 people, as a guess. I'm not sure, but I think that the cover charge for regular guests off the street was $30. Drinks were $9 for bar shots like rum, and $7 for beer, so it was quite a bit more expensive than most Canadian bars, but not out of line for a big club like that. The lineup at the coat check was huge, which I laughed at because I didn't bring a coat. Of course, being a bar manager myself, I spent quite a bit of time looking at the logistics and operations of the club. I was pretty surprised to see that they had (I think) six bartenders working at each of the two main bars. My place would have two bartenders, or sometimes three, for the same volume of alcohol that was being served at each bar. But at least those bartenders looked a lot more relaxed that we are when we're serving.
Needless to say, the lighting systems were incredible, and the sound was decent throughout the entire club, not just on the dance floor. Gabriel & Dresden played from about midnight to 5am (I think the bars stop serving alcohol at 4am, but then they can start again at 8am). I was talking to Josh for a bit up in the DJ booth during his set, and they looked like they were really having fun playing that night. Their set was quite a bit different than when they had played in Boston - to me, both nights sounded great, but this set sounded more tailored to a dance club crowd, with more vocal tracks and mainstream tracks, whereas at Rise it had seemed more like a set for an afterhours club crowd (not surprisingly).
On Saturday afternoon, Polly took me for a partial tour, including Ground Zero, the ferry to Staten Island, Wall Street, and around other parts of Manhatten. Later in the evening, we went to a place called Crocodile NYC. This bar was insane. It had a crowd about the same size as my bar on a Saturday night (250 people), but it was less than a third the size. It was absolutely impossible to move around, or to get drinks quickly. To make things even more interesting, they gave out a free pizza with every beer, so for $20, we eventually got four large glasses of beer (two Stella & two Guiness, I think) plus three 12-inch cheese pizzas. It was a minor fight for me to finish the two beer and two pizzas, but I managed eventually, and was hungry for more. The bar was ridiculously warm, probably partly due to the crowds and partly due to the 700-degree pizza ovens in the back of the bar. Anyway, it was a pretty neat place, and obviously a lot of other people thought the same thing, considering the crowds.
After Crocodile, we went to a venue called Shelter, which was more of an after-hours type of club than Pacha had been, although they did serve alcohol. Cover was $25, bar shots were $8, and beer was $6. There were a whole bunch of good DJ's and producers performing that night, including D:Fuse, D-Formation (I used a couple of his tracks on my last mix), and Tone Depth (from Montreal). There was also another DJ who I had never heard of before, Chloe Harris. I was quite impressed by her set, so it was good to learn about her. The lighting system upstairs at Shelter was pretty impressive too. I wish that I'd been able to get some decent photos, but it wasn't possible with my camera.
On Sunday, we went for Chinese food in the afternoon, then did some more touring after dinner. We met a couple of my old friends from university in front of Virgin Records in Times Square, and we went up to the Marriot Marquis for drinks with them. After that, Polly took me to a fantastic Mexican restaurant for dinner. I've eaten Mexican food in a lot of places (including Mexico), but this was definitely some of the best that I've had. Of course, I can't remember the name of the restaurant, but I'm not going to forget the food.
I have photos from the trip on this page:
http://www.djbolivia.ca/photos_newyork2007a.html
The only sad part about the weekend was that there was so much more to see that I didn't have time for, so I'll have to go back as soon as I get a chance ...
Tour-Tech Trade Show 2007
on Monday, January 15, 2007
I was at the Tour-Tech show this weekend in Halifax. The show itself was ok. I didn't see as many revolutionary computer products as I did last year, but then again, I concentrated on the conventional audio seminars all day, rather than going to any of the video seminars, which is a field that is arguably advancing much more quickly right now. For instance, I went to seminars on topics such as microphone placement, PSM's (personal in-ear studio monitors), designing sound systems for churches, etc. Nothing really that exciting, but useful sessions.
Here are a few photos from the show:
http://www.djbolivia.ca/photos_tourtecheast2007.html
Anyway, even though the trade show itself was fairly uneventful, we had an interesting time the night before. We went out to visit a few bars and have a few drinks. The bar that I work at is being rebuilt in 18 months, so I was asked to take some photos of other venues, to help come up with some design ideas. One of the guys I was with (Darren Wheaton) runs a couple of the other bars in my hometown, so he was equally curious to go on tour.
We walked past a bar downtown called the Seahorse Tavern. Several people had mentioned this place to me before, but I could never think of where it was. When I saw it, I figured it would be a good place to visit, so we went inside. I was pretty surprised to realize that I had actually been in it before, many times: it was the first bar that I was ever in, many years ago, although it was operating under a different name at the time. In fact, I have many funny stories from that very bar. For instance, one night, a few of us got more intoxicated than usual, and I woke up the next morning sleeping on the Bluenose II, in the Halifax Harbour. I have no idea why I was there - maybe an RCN press gang? Luckily, it was still tied to the dock.
Anyway, the bar wasn't exactly hopping that night, but there was a blues band playing, so we stayed for a while. The band itself wasn't bad, although I have no idea who they were. The lead guitarist looked like Wolfman Jack, and played pretty tightly. The drummer was consistent, and made funny faces throughout the show. The bass player looked sort of like Mr. Clean, and he was pretty quiet and unobtrusive in the background, but he was very, very tight in his timing, so I was pretty impressed. He also played on a fretless bass. The rhythm guitarist, however, was the really interesting character. During his first few songs, he didn't seem that notable. His timing was so-so, but he looked a bit nervous, and played some fairly uninspired solos when given the chance. However, after four or five songs, he suddenly warmed up and honestly ended up stealing the show.
What really got me laughing was the fact that he had a wireless pickup, so he was able to walk around the crowd while he was playing. He also had so many effects on his guitar that he didn't really have to strum the strings while he was soloing - he could just push the strings up against anything, such as a nearby table, and get decent sound. As he wandered around, he came up to this "crusty old seadog" - an aging weather-beaten sailor with a greyish-blond beard and a cap slung down low - who was pretty much passed out with his head on the bar. Anyway, the guitarist started playing by wildly rubbing his guitar against the crusty old seadog's head, while the guy was still passed out! The crowd went wild. It was definitely the funniest thing I've seen in quite a while ...
Here are a few photos from the show:
http://www.djbolivia.ca/photos_tourtecheast2007.html
Anyway, even though the trade show itself was fairly uneventful, we had an interesting time the night before. We went out to visit a few bars and have a few drinks. The bar that I work at is being rebuilt in 18 months, so I was asked to take some photos of other venues, to help come up with some design ideas. One of the guys I was with (Darren Wheaton) runs a couple of the other bars in my hometown, so he was equally curious to go on tour.
We walked past a bar downtown called the Seahorse Tavern. Several people had mentioned this place to me before, but I could never think of where it was. When I saw it, I figured it would be a good place to visit, so we went inside. I was pretty surprised to realize that I had actually been in it before, many times: it was the first bar that I was ever in, many years ago, although it was operating under a different name at the time. In fact, I have many funny stories from that very bar. For instance, one night, a few of us got more intoxicated than usual, and I woke up the next morning sleeping on the Bluenose II, in the Halifax Harbour. I have no idea why I was there - maybe an RCN press gang? Luckily, it was still tied to the dock.
Anyway, the bar wasn't exactly hopping that night, but there was a blues band playing, so we stayed for a while. The band itself wasn't bad, although I have no idea who they were. The lead guitarist looked like Wolfman Jack, and played pretty tightly. The drummer was consistent, and made funny faces throughout the show. The bass player looked sort of like Mr. Clean, and he was pretty quiet and unobtrusive in the background, but he was very, very tight in his timing, so I was pretty impressed. He also played on a fretless bass. The rhythm guitarist, however, was the really interesting character. During his first few songs, he didn't seem that notable. His timing was so-so, but he looked a bit nervous, and played some fairly uninspired solos when given the chance. However, after four or five songs, he suddenly warmed up and honestly ended up stealing the show.
What really got me laughing was the fact that he had a wireless pickup, so he was able to walk around the crowd while he was playing. He also had so many effects on his guitar that he didn't really have to strum the strings while he was soloing - he could just push the strings up against anything, such as a nearby table, and get decent sound. As he wandered around, he came up to this "crusty old seadog" - an aging weather-beaten sailor with a greyish-blond beard and a cap slung down low - who was pretty much passed out with his head on the bar. Anyway, the guitarist started playing by wildly rubbing his guitar against the crusty old seadog's head, while the guy was still passed out! The crowd went wild. It was definitely the funniest thing I've seen in quite a while ...
Gabriel & Dresden in Boston
on Sunday, December 10, 2006
I just got back from an interesting weekend in Boston. I flew down to see a Gabriel & Dresden show, but also to actually meet them, courtesy of a mutual friend, Kate.
For those of you who aren't familiar with electronic music, these two are incredibly talented. Among other things, Dave Dresden is a talent scout for Pete Tong, and was a journalist for DJ Times, Mixer, DMA, and Billboard magazine, where he has done interviews with Paul Oakenfold, Moby, Todd Terry, Sasha & Digweed, Puff Daddy, BT, The Crystal Method, Keoki, Josh Wink, the Chemical Brothers, and Deep Dish. Josh Gabriel was the sound designer for the Oddworld video games, was co-founder of Mixman Technologies (remixing software), did work for for Warner Brothers & Sony Music, and was the mastering engineer on Disney's "Aladdin" soundtrack.
As a duo, the two of them are very highly ranked as DJ's (23rd in the world, to be exact), according to the current standings on www.thedjlist.com. They also have their own record label in San Francisco, called Organized Nature. However, they are probably most well known for their production skills, whether it is individually, as a duo, or in partnerships with other musicians and producers (including releases under the monikers Andain & Motorcyle). For the non-electronica fan, they are probably most well-known recently for "Tracking Treasure Down," which was #1 on Billboard a few months ago, in July of this year. Here's a link to the video for that song on YouTube (the link is visible on my real blog, but not in the Facebook feed):
Aside from that well-known hit, they have a very extensive string of other #1 hits over the past few years, and they've worked directly with or done remixes for a huge variety of well-known artists, including Coldplay, New Order, Tiesto, 4 Strings, Paul Oakenfold, Roger Goode, Sarah MacLaughlan, Jewel, Afrika Bambaataa, Armin van Buuren, The Crystal Method, Dido, Nelly Furtado, Fischerspooner, Groove Armada, Annie Lennox, Britney Spears, Depeche Mode, Madonna, and others.
Anyway, the weekend got off to a bit of a rough start when I forgot to go through my luggage carefully before flying. I've probably taken at least 300 commercial flights before, so I definitely should have known better, but I wasn't really thinking. I have a "travel bag" which is always packed, but the last time I used it was when I was just travelling in Canada. Consequently, when I got to airport security, I had to throw out my shaving cream (because it was in an aerosol can), and my drugs (you'll note that I said drugs, not narcotics). Then, the officer going through my bag asked me if I really expected to be allowed to take a wine opener on the plane. I guess the large pointy metal stabbing tool and sharp knife didn't exactly meet regulations.
I got to Boston pretty early on Friday morning, which led to a new dilemma, since it was 10am and I couldn't check into the hotel until 2pm. I don't normally drink before 5pm (unless it is a continuation of the previous night's festivities) but I thought that since I was on vacation, I'd make an exception, so I went to an Irish Pub for breakfast. And lunch. The Pub was about three doors down from the hotel, and there were several hundred students staying at the hotel for a Harvard Model United Nations event, so there were people to talk to everywhere.
After lunch, I went back to the hotel. That evening, Kate and another friend picked me up, and we went out for drinks to a pizza place & bar beside Fenway Park. We were planning to meet Josh & Dave fairly early, but their plane had been delayed in Chicago due to winds, so they didn't get into Boston until around midnight. When we went back downtown to meet them, they were having problems checking in because it was past midnight and the hotel computers wouldn't let people claim their room after midnight, so they came up to my room for about an hour before the show while they tried to sort things out.
The rest of the night was pretty fun. Rise was a fantastic little after-hours club. It was smaller than I expected, about the same size or smaller than the after-hours clubs I usually frequent in the Maritimes, but the cleanliness was unbelievable, and the lighting was incredibly well-done for such a small venue. Rise is a private members-only club (plus a limited number of guests for each member), so I think that most people who were there actually knew each other. Once they got started, Dave & Josh played until 7am, and it was a pretty interesting set since they played a fair number of their own tracks, and I knew quite a bit of the music. They ended the night with their remix of "The Wings" by Gustavo Santaolalla - I think that the original might have been the closing track from Brokeback Mountain.
All in all, it was a lot of fun. It's been a few years since I've been to Boston, but it has so many universities and students around that it completely reminds me of Halifax. There are very few US cities that I'd ever want to live in, but Boston would probably be the one exception (or maybe San Francisco).
Saturday night was pretty fun too, but that's another story. Coming home was fairly uneventful, except that our flight crew didn't show up for the flight out of Newark. It was kind of funny actually, since they eventually had to be paged on the airport intercom system: "Paging flight crew XXX, can you please report to gate C99. We need you to fly a plane."
For those of you who aren't familiar with electronic music, these two are incredibly talented. Among other things, Dave Dresden is a talent scout for Pete Tong, and was a journalist for DJ Times, Mixer, DMA, and Billboard magazine, where he has done interviews with Paul Oakenfold, Moby, Todd Terry, Sasha & Digweed, Puff Daddy, BT, The Crystal Method, Keoki, Josh Wink, the Chemical Brothers, and Deep Dish. Josh Gabriel was the sound designer for the Oddworld video games, was co-founder of Mixman Technologies (remixing software), did work for for Warner Brothers & Sony Music, and was the mastering engineer on Disney's "Aladdin" soundtrack.
As a duo, the two of them are very highly ranked as DJ's (23rd in the world, to be exact), according to the current standings on www.thedjlist.com. They also have their own record label in San Francisco, called Organized Nature. However, they are probably most well known for their production skills, whether it is individually, as a duo, or in partnerships with other musicians and producers (including releases under the monikers Andain & Motorcyle). For the non-electronica fan, they are probably most well-known recently for "Tracking Treasure Down," which was #1 on Billboard a few months ago, in July of this year. Here's a link to the video for that song on YouTube (the link is visible on my real blog, but not in the Facebook feed):
Aside from that well-known hit, they have a very extensive string of other #1 hits over the past few years, and they've worked directly with or done remixes for a huge variety of well-known artists, including Coldplay, New Order, Tiesto, 4 Strings, Paul Oakenfold, Roger Goode, Sarah MacLaughlan, Jewel, Afrika Bambaataa, Armin van Buuren, The Crystal Method, Dido, Nelly Furtado, Fischerspooner, Groove Armada, Annie Lennox, Britney Spears, Depeche Mode, Madonna, and others.
Anyway, the weekend got off to a bit of a rough start when I forgot to go through my luggage carefully before flying. I've probably taken at least 300 commercial flights before, so I definitely should have known better, but I wasn't really thinking. I have a "travel bag" which is always packed, but the last time I used it was when I was just travelling in Canada. Consequently, when I got to airport security, I had to throw out my shaving cream (because it was in an aerosol can), and my drugs (you'll note that I said drugs, not narcotics). Then, the officer going through my bag asked me if I really expected to be allowed to take a wine opener on the plane. I guess the large pointy metal stabbing tool and sharp knife didn't exactly meet regulations.
I got to Boston pretty early on Friday morning, which led to a new dilemma, since it was 10am and I couldn't check into the hotel until 2pm. I don't normally drink before 5pm (unless it is a continuation of the previous night's festivities) but I thought that since I was on vacation, I'd make an exception, so I went to an Irish Pub for breakfast. And lunch. The Pub was about three doors down from the hotel, and there were several hundred students staying at the hotel for a Harvard Model United Nations event, so there were people to talk to everywhere.
After lunch, I went back to the hotel. That evening, Kate and another friend picked me up, and we went out for drinks to a pizza place & bar beside Fenway Park. We were planning to meet Josh & Dave fairly early, but their plane had been delayed in Chicago due to winds, so they didn't get into Boston until around midnight. When we went back downtown to meet them, they were having problems checking in because it was past midnight and the hotel computers wouldn't let people claim their room after midnight, so they came up to my room for about an hour before the show while they tried to sort things out.
The rest of the night was pretty fun. Rise was a fantastic little after-hours club. It was smaller than I expected, about the same size or smaller than the after-hours clubs I usually frequent in the Maritimes, but the cleanliness was unbelievable, and the lighting was incredibly well-done for such a small venue. Rise is a private members-only club (plus a limited number of guests for each member), so I think that most people who were there actually knew each other. Once they got started, Dave & Josh played until 7am, and it was a pretty interesting set since they played a fair number of their own tracks, and I knew quite a bit of the music. They ended the night with their remix of "The Wings" by Gustavo Santaolalla - I think that the original might have been the closing track from Brokeback Mountain.
All in all, it was a lot of fun. It's been a few years since I've been to Boston, but it has so many universities and students around that it completely reminds me of Halifax. There are very few US cities that I'd ever want to live in, but Boston would probably be the one exception (or maybe San Francisco).
Saturday night was pretty fun too, but that's another story. Coming home was fairly uneventful, except that our flight crew didn't show up for the flight out of Newark. It was kind of funny actually, since they eventually had to be paged on the airport intercom system: "Paging flight crew XXX, can you please report to gate C99. We need you to fly a plane."
Joining the Digital Revolution
on Wednesday, November 1, 2006
All around us, we can see the accelerating presence of computers, digital communications, and digital technology. Today, CNN announced that the Internet has just reached a major milestone of 100 Million websites online. For my own website, I'm just a few days away from reaching the milestone of a quarter of a million hits in the less than five years that I've had it online.
Well, today I lost my virginity.
I have always been a vinyl DJ when it comes to electronic music. True, I've used CD players when playing rock music and other conventional tracks at the club. And I've actually had a Pioneer CDJ pitch-control CD player here in my studio for over a year, although I've never used it except for playing single tracks. However, tonight I felt a little crazy and I mixed a track into a practice session using the CD player, rather than using a piece of vinyl.
I'll admit, I felt a little bit cheap. Once the genie is out of the bottle, you can never put it back. I still hope to stick to mostly vinyl for my live shows, because it just looks more impressive to the people dancing in front of the decks, and it's so much more fun. However, I can't argue with the fact that digital media is far more flexible, portable, and versatile, and essential if I'm going to start playing my own self-produced tracks in my sets.
Anyway, I'm worn out now from the emotional significance of the evening, so I'm off to bed.
Well, today I lost my virginity.
I have always been a vinyl DJ when it comes to electronic music. True, I've used CD players when playing rock music and other conventional tracks at the club. And I've actually had a Pioneer CDJ pitch-control CD player here in my studio for over a year, although I've never used it except for playing single tracks. However, tonight I felt a little crazy and I mixed a track into a practice session using the CD player, rather than using a piece of vinyl.
I'll admit, I felt a little bit cheap. Once the genie is out of the bottle, you can never put it back. I still hope to stick to mostly vinyl for my live shows, because it just looks more impressive to the people dancing in front of the decks, and it's so much more fun. However, I can't argue with the fact that digital media is far more flexible, portable, and versatile, and essential if I'm going to start playing my own self-produced tracks in my sets.
Anyway, I'm worn out now from the emotional significance of the evening, so I'm off to bed.
GDC 2006
on Thursday, March 23, 2006
I DJ'd at the Game Developers Conference in San Jose (California) last night, and then flew back up to New Brunswick today. It was a lot of fun, but next year I'm going to have to try to take a week off and go back so I can sit in on some of the seminars. Wow, there was a lot of stuff happening there!
GDC is an annual conference devoted to computer software programmers, or "coders." Quite often, I don't think the general public appreciates just how much work goes into creating software, and just how big an impact computers have had on increasing the standard of living and GDP in the past few decades. The coders are the people who make it all work, and although this conference is designed specifically for developers of video games, people who work in just about every branch of programming should find something of interest.
The show was very well organized by the ShoutCreative team (www.shoutcreative.com). After I played, Uberzone (www.uberzone.net) took to the stage, playing a set based on Ableton Live with scratching and live drumming. It was basically a breaks set with a lot of interaction and effects, and it was really enjoyable. If you ever get a chance to see Uberzone, do it. After seeing that, I realized that I've got to get myself up to speed with Ableton.
One of the craziest parts of the night was the fact that there were combot wars happening at the party. A "combot" is a specialized type of robot, built specifically for these matches. Basically, it's like a hi-tech version of smash-up derby, with remotely controlled machines that are about the size of Fat Forrest (my 110 pound black Labrador). Now I'll admit that I had never seen anything like this before, so I didn't know what to expect. Before the show, I noticed that there was a huge enclosed structure built for the competition, and I thought to myself, "that's a little bit over the top." After all, I thought this was more of a game than a sport (it's only a sport if you can lose an eye). Or so I thought.
Anyway, while I was playing later on, I could just barely see the combot arena from the stage, and at one point during my set I looked over just as two of the combots attacked each other. All I saw was large chunks of wood and metal flying about eight feet up in the air as a huge cheer went up from the crowd around the arena.
All in all, it was a very fun experience, although I don't think in general that the Americans drink nearly as much alcohol as Canadians do. The party had open bars everywhere, and if they had that kind of setup in Canada (complimentary drinks with a thousand people in the room), they would have needed truckloads of beer and liquor!
GDC is an annual conference devoted to computer software programmers, or "coders." Quite often, I don't think the general public appreciates just how much work goes into creating software, and just how big an impact computers have had on increasing the standard of living and GDP in the past few decades. The coders are the people who make it all work, and although this conference is designed specifically for developers of video games, people who work in just about every branch of programming should find something of interest.
The show was very well organized by the ShoutCreative team (www.shoutcreative.com). After I played, Uberzone (www.uberzone.net) took to the stage, playing a set based on Ableton Live with scratching and live drumming. It was basically a breaks set with a lot of interaction and effects, and it was really enjoyable. If you ever get a chance to see Uberzone, do it. After seeing that, I realized that I've got to get myself up to speed with Ableton.
One of the craziest parts of the night was the fact that there were combot wars happening at the party. A "combot" is a specialized type of robot, built specifically for these matches. Basically, it's like a hi-tech version of smash-up derby, with remotely controlled machines that are about the size of Fat Forrest (my 110 pound black Labrador). Now I'll admit that I had never seen anything like this before, so I didn't know what to expect. Before the show, I noticed that there was a huge enclosed structure built for the competition, and I thought to myself, "that's a little bit over the top." After all, I thought this was more of a game than a sport (it's only a sport if you can lose an eye). Or so I thought.
Anyway, while I was playing later on, I could just barely see the combot arena from the stage, and at one point during my set I looked over just as two of the combots attacked each other. All I saw was large chunks of wood and metal flying about eight feet up in the air as a huge cheer went up from the crowd around the arena.
All in all, it was a very fun experience, although I don't think in general that the Americans drink nearly as much alcohol as Canadians do. The party had open bars everywhere, and if they had that kind of setup in Canada (complimentary drinks with a thousand people in the room), they would have needed truckloads of beer and liquor!
Conduct Becoming 2006
on Saturday, February 11, 2006
Well, the recording sessions for the Conduct Becoming 2006 album got started here at my studio this evening. Conduct Becoming is a series of CD's produced at our university, designed as a cancer fundraiser (and by that, I mean a fundraiser for cancer research, not trying to help out the disease itself).
The whole project was started by Marc Carnes & Drew Dudley & myself about six years ago, after the sudden death of one of my staff members at the club due to stomach cancer. His name was Jason Abraham, a fourth year commerce student and member of the varsity hockey team. In January of 2000, he was saying that his stomach was bothering him a lot, so he went to the doctor to get it checked out. In early February, he was diagnosed. Six weeks later, on March 27th of that year, he passed away.
The following year, Marc & Drew had apparently been talking about a music project that they wanted to do at the university. Independently of them, I suddenly decided one night that there were a lot of really talented student musicians at the university, and that I wanted to put together a CD of music that was solely written and performed by Mount Allison University students. I called Drew up to talk about my idea, and he mentioned the ideas that he and Marc had, and we quickly amalgamated everything into a project to be done in memorium for Jason.
The project has grown from there, and the sixth annual album will be released this year, with Mike Allison as the executive producer. Ian Allen, who works with me at the bar and who worked with Jason several years ago, is another key figure who has kept the project alive for the past year or two during a difficult transition phase. The project has been featured on CBC and all kinds of national media, and copies of the CD's are available on Amazon.
Check out the website: www.conductbecoming.ca
The whole project was started by Marc Carnes & Drew Dudley & myself about six years ago, after the sudden death of one of my staff members at the club due to stomach cancer. His name was Jason Abraham, a fourth year commerce student and member of the varsity hockey team. In January of 2000, he was saying that his stomach was bothering him a lot, so he went to the doctor to get it checked out. In early February, he was diagnosed. Six weeks later, on March 27th of that year, he passed away.
The following year, Marc & Drew had apparently been talking about a music project that they wanted to do at the university. Independently of them, I suddenly decided one night that there were a lot of really talented student musicians at the university, and that I wanted to put together a CD of music that was solely written and performed by Mount Allison University students. I called Drew up to talk about my idea, and he mentioned the ideas that he and Marc had, and we quickly amalgamated everything into a project to be done in memorium for Jason.
The project has grown from there, and the sixth annual album will be released this year, with Mike Allison as the executive producer. Ian Allen, who works with me at the bar and who worked with Jason several years ago, is another key figure who has kept the project alive for the past year or two during a difficult transition phase. The project has been featured on CBC and all kinds of national media, and copies of the CD's are available on Amazon.
Check out the website: www.conductbecoming.ca
Subscribe to:
Posts (Atom)